Yea, i agree with the cropping. When i was painting it i was yelling at myself for not having planned it better and thought how convenient it would be if i brought it to photoshop. Which i did. Then i thought about it and thought 'well, maybe it's working for it, a sort of constrained feeling, immobile, stuck and uncomfortable.' Then problem being i'm trying to imply movement particularly emphasized by the hair... so i suppose i'd be contradicting myself by trying to imply movment and constraining it. Point taken, expand.. phew!
My problem with working on canvas is that i've only recently begun painting and i have a tendency to get very muddy before i get clean and that takes alot of time because there is a whole struggle of back and forth till i make up my mind and it takes much longer to do it traditionally then adjusting cyan on photoshop. I still paint weekly from life traditionally so i'm still figuring it out but i got impatient with this one since i was already running into problems in terms of composition. No patience no patience.

Another interesting note on these traditional weekly paintings is that for the first couple of hours i am confident the colors are clearer and so are the shapes. Awesome, i love where it's going. Then noon hits and i grab the smaller brush and try to make it tighter and it goes downhill from there. I need to remember to bring my camara next time so that i can take photos of the canvas every time the model takes a break. It will be interesting to see.
